*Be forewarned, this is a LONG article, but worth the read. I’ve been preaching the info for a while, but here’s a journalist’s researched and well-written version for the masses.
A terrible number of words have been written about Breaking Bad, yet none have struck upon the irony at its core. For all of the cult hit’s vaunted fine-brush realism and sly cultural references, the show never even winked at the real world “blue” that grew up alongside it.
During the five years Heisenberg spent as a blue-meth cook, the nation experienced a nonfictional explosion in the manufacture and sale of sapphire pills and azure capsules containing amphetamine. This other “blue,” known by its trade names Adderall and Vyvanse, found its biggest market in classrooms like Walter White’s. As this blue speed is made and sold in anodyne corporate environments, the drama understandably focused on blue meth and its buyers, usually depicted as jittery tweakers picking at lesions and wearing rags on loan from the cannibal gangs of Cormac McCarthy’s The Road.
For presenting such a compelling one-sided cartoon of speed in America, Breaking Bad deserves recognition as a modern day Reefer Madness. That 1937 film immortalized the selective attentions of the first drug war, in which hysteria was stoked over Mexican marijuana but nothing was said about that era’s brisk drugstore trade in Benzedrine, the patented speed of the Great Depression.To understand why the “edgy” AMC drama fits so snug in the Reefer Madness mold, it helps to see the show from the perspective of pharmaceutical executives, whom I suspect held some rowdy Breaking Bad viewing parties.
Continue reading over at Vice | Motherboard.
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