More golden era hip-hoppiness for ya:

Info: Oakland’s The B.U.M.S. or “Brothas Unda Madness” or rappers E-vocalist & D. Wyze made some noise on local urban radio network KMEL, and landed themselves on the Priority Records label in its golden era. Through Priority they released one album titled, ‘Lyfe ‘N’ Tyme’ in 1995 after a successful single, ‘Elevation (Free My Mind)’ back with ’6 Figures And Up’. With a major label support, some radio rotation and many freestyle appearances on what was to become the most popular Hip Hop radio show in the world, The Wake Up Show.

Rock Steady Crew legend Crazy Legs featured all through this music video..

Check out Alborosie bringin the ruckus once again. Track is called “Tears”…

…dig that Wu-Tang sample. *I know, Wu sampled from elsewhere, but I bet most heads associate it with the Tang.

As if mountain biking didn’t entail enough risk as it is, leave it to Africa to add another dangerous element to the mix. Big. Fast. Angry. Hoofed and horned “Red Hartebeests” that can reach 65mph. Look out!

Hahaha…fuck that. My 60 pound dog is strong enough to jack a person up. I can’t imagine this thing running at speed like that.

Shit is always more thrilling in Africa…

This looks safe:

No helmet and street legal in 0 states. Perfect for Mad Max’n around after the impending apocalypse in 2012, prophesied by the Mayan Calender. Monster quadrunners are gonna be huge then.

No wonder folks be stealin shit online:

Don’t be a sucker and sit through all that bullshit about warnings and what not. Download some shit and enjoy your content.

*we do not accept any legal liability for those that follow our advice.

Dear American Government,

Fuckin idiots.

Fizzla is back with more ‘fizzle’ than I can handle. Holy shit this album is a straight up stinker. Sizzla has become synonymous with releasing weak tracks and unthoughtful albums put out with alarming speed. Usually within each of these just-add-water albums there is at least one track worth its weight, but this latest effort, titled “Welcome To The Good Life” provides nothing worthwhile.
I guess it’s kinda surprising that after all these years, after getting my first Sizzla album called “Good Ways”, that I still keep my fingers crossed that he’s gonna bring the ruckus once again. Each album he puts out, I take the time to give it a listen, knowing that it’s most likely another let down, but keeping hopes high that it’ll be his ‘come back’ album. When I say ‘come back’, I mean coming back to his senses and finally giving up on the school-girl, high-pitched vibrato that he’s become synonymous with. Coming back to his modern roots vibe with a strictly conscious message. Back to putting out albums that were well thought out, took time to prepare, and displayed what he’s capable of.
Anyway, just a little warning. This album has got to be one of his weakest…and that’s really saying something.